With solid original painting skills and rich experience in ED production, he presented a soft and cute Sakura to the audience in the ed of the new "Magic Card Sakura Clear Card" in January.
In January 2018, "The Magic Card Girl Sakura CLEAR CARD" was broadcast, and many viewers spit to collect new tempered film (card) to become a new work for Sakura. At the same time, they began to recall their childhood and the hearts of young girls who had already been abandoned. The high quality of the new version of Sakura did not disappoint the audience, and the lively Sakura in ED was especially popular with the audience.
Behind such a fresh and lovely ED, there must be a talented animator who is behind the scenes, but the careful audience may find that there is no ED producer's name at the end of Sakura's film, which makes such an interesting ED animator. Who on earth is it?
That is the original painter who is active in the old-fashioned production companies of Madhouse and Bones - Suzuki Dianguang.
Strong ED madness
Suzuki Dianguang is also known as a てんこー (a reading of Dianguang Japanese) in Japan. Since 1999, Dianguang has been responsible for the various mirrors, performances and paintings of various animated EDs. He is a very versatile and powerful original painter.
He is a strong man who can control from the animation of "Magic Girl Sakura" to the more sinister and heavy works. Unlike other artists who paint OP and ED, Suzuki Dianguang has painted an OP for almost 20 years, but it is an ED madman.
Moreover, the ED boutique rate he is responsible for is extremely high. His masterpieces include Devil High School D×D ED and Symphonic Psalm ED1 . It is worth mentioning that the first ED produced by Suzuki Dianguang in 1999 is also the "Magic Girl Sakura", which can be said to be a very interesting opportunity.
Since the "Soul of the Soul Eater" ED2, Suzuki has begun to participate in animation production in an anonymous manner. Not only does ED not bear the name, but also takes the unnamed way when participating in the original work of the single set. So if you see that these two cartoons have no ED Staff, then the nine achievements are Suzuki.
As an original painter, Suzuki Dianguang is very strong in his original paintings. When he draws the dynamics, he can take into account the large amount of details of the whole body movements during the movement of the characters. Together with the higher number of sheets, he often impresses the audience.
Suzuki Dianguang not only considers the dynamics of various parts of the whole body, but also attaches great importance to the changes of the pleats and shadows during the movement of the characters. It can create the appropriate volume relationship through the cooperation of shadows and lines. It is an animation and painting. A good original painting of acting.
Classic ED made by Suzuki Dianguang
Any animator who has been trusted to produce OP and ED for a long time has its own characteristics. The same is true for Suzuki.
Because Dianguang is one of the two parts of his work, he can make a lot of amazing shots with his excellent original painting ability.
For example, the pole dance in the Devil High School D×D ed which was heated in 2012, the charming dance, the sexy bunny costume, the cute female character, and the excellent paintings by Suzuki Dianguang are definitely one. The rare boutiques are a good example of the theme of this book.
Suzuki Dianguang is very good at expressing the cuteness of female characters. As mentioned above, he can consider a lot of details of the characters' movements when painting the original paintings, so the characters in his writings are often very "moving" and "soft". This kind of trait is very suitable for shaping the female character's lively, cute and authentic personality. This is the advantage of Dianguang as a very strong original painting.
Including "My sister" ED, "Fullmetal Alchemist (03)" ED2, "Gosick" ED2 and Sakura's two EDs all show the charm of female characters. However, to discuss the most commendable features of Suzuki's code, it is by no means a motion lens that mimics the real camera shake.
It is extremely difficult to come up with motion shots in the Japanese 2D hand-drawn animation process, because most of these shots have perspective changes, which is a test of the original artist's ability to see through the space. Generally, to do such a complicated lens, it is necessary to discuss the original painting with the original painting to find a feasible solution, so we rarely see the motion lens that simulates the real shot in Japanese animation.
Of course, 3D assist has been used extensively in today's two-dimensional animation production, but it is still much more complicated than the ordinary lens process to make such a stereo lens. However, Suzuki Dianguang has a strong understanding of spatial relations and perspective, and it is possible to make beautiful stereoscopic lenses.
The most memorable motion lens among all of its EDs is his representative work, The Symphonic Psalm ED1, which is not only a complex perspective change, but also uses an extremely rare mirror in the animation. The whole lens is like a human hand. The camera is as accurate as shooting.
Symphonic Psalm ED1
The game "Goddess of Different Records 4" op Suzuki Dianguang also painted a moving lens that uses dance movements to connect, which is also a very exciting long shot. In addition to the last long shot, Suzuki Dianguang also painted a very rare street dance movement in the animation, which is also worth watching. In addition to the "Death Note" ED1 also has a very beautiful long shot, it is also not to be missed.
Op of the game "Goddess of Different Records 4"
In addition to using his excellent ability to paint to complete some rare images, the ability of Dianguang in the composition of the picture is also very good, even if it is only a stop (not moving still picture) can be pleasing to the eye. In fact, when Dianguang first brushed the ED, the lens was almost always based on とめ, and the number of sheets used for him was very limited, but after that, as the reputation of Dianguang became bigger, the bondage in this respect was much smaller.
But in general, it is still a lot more difficult than OP, so it is very testable to design the picture. Suzuki's ability in this area is undoubtedly top-notch, and it is very appropriate to show the character's personality. Even if it is only a stop, it will let the audience feel the story behind each picture.
The text is also an important element of Suzuki's pattern composition, and the light often places the text as an important narrative element in the picture.
The most common way to use it is to match the character's name to the beautiful pose of the character, and the duration will match the frame you designed yourself.
Using the role name as part of the composition, while drawing a gesture that conforms to the personality of the character, both look good and deepen the viewer's perception of the personality of the character.
The outstanding strength of the original paintings makes the ED produced by Suzuki Code Management Institute have a lot of observations at the level of painting, and its excellent composition and design ability make the works even more powerful, so the ED of Suzuki Dianguang is almost everywhere. It is a boutique. Searching for Suzuki Dianguang on the B station will also have his collection. It is recommended that you will not let you down if you watch them in turn.
This article is from the " Animation Academic Award ", the author of the animation academic, please do not reprint without authorization. We need senior contributors, operational interns, part-time designers, and website volunteers . Interested parties can submit to firstname.lastname@example.org.